Yesterday I was in Asheville, North Carolina. Nearly everyone you meet there is a character, and I once again wish that I knew more about writing. I was there to meet the staff of the regional arts and culture magazine, with which I volunteer. Everyone on the magazine's staff is a volunteer. And I am the proofreader.
Please, if anyone reads this, please forgive my clumsiness and blatant observations. If anyone can tell me somewhere where I can learn how to "write" a character, I'd really be grateful.
Ok, enough apologizing. Here's the story.
The party was at the hippie-dominated Mellow Mushroom, a pizza place whose most popular menu items included the words "organic" and "vegetarian". The "back room" looked to me like a fire hazard, though it was probably only me. The room was probably perfectly navigable before I entered, one baby strapped to a pack on my chest, and another in a stroller in front of me.
Can you imagine a more uncomfortable situation? The picture of conservative, traditional American family life in a hippie establishment. A mother encumbered with babies in a crowded room full of breakable glasses and drippy food. A proofreader in a room full of non-professional writers.
Nevertheless, I enjoyed my time there. The first person I met was the writer of the beer article. He was very sociable, seemed to know everyone else, and was willing to help out the newbie (me). It's probably stereotyping to say that I should have expected the beer guy to be like that. And I'm okay with stereotyping people, to some extent, and especially when the stereotype is a pleasant one. But when the stereotype is unpleasant . . .
The wine guy was not aware that the magazine had a proofreader. Until he met me. From reading his articles, it seems to me that he believes that not many people are very well educated on the subject of wine. He may be quite right about that. He put a fine point on the idea that his article did not need to be corrected by anyone other than himself. I found myself going to unnecessary lengths to assure him that I rarely found mistakes in his articles. He quickly began to ignore me. *Sigh*
The two writers that were the friendliest to me were reviewers. One was the music reviewer (who, I discovered, was an elementary school teacher by profession) and the other was one of the movie reviewers. Perhaps their friendliness to me was because they can sympathize with the sometimes unpleasant task of providing critiques on others' work. Or, perhaps it is because neither of them seems overly concerned with making mistakes. (You can read that as, their articles frequently have a lot of mistakes in them.)
Finally, the graphic designer. I do not proofread her work. She sends me the unpublished work to proofread, and I return the corrections to her. She has an androgynous name, so I was quite interested in meeting her, just to know her gender. She was a very calm person. I don't have many other words to describe her personality. Her physical appearance could help give an idea of the feeling you get when you're around her. She is black, though she gave no signs of being part of the black culture. Her most striking feature was her hair: full and long (extensions?), giving a sense that she was royalty, or a medicine woman with connections. She was relaxed and polite in a deliberate, dignified, and calm way.
I also briefly met the publisher. He was the only other person there who had brought children with him. He had two boys, one seemed to be older-elementary school, and the other might have been kindergarten age or so. And the publisher himself? I was surprised at how unassuming he was. The other people in the room were definitely characters, but he was not obviously such. I did not spend much time talking to him, but, since publishing is my career of choice, I have a lot of questions for him. I realize he volunteers as the publisher, so perhaps it's different than being a professional publisher. But still, I would like to know what he knows about publishing.
Has anyone read all the way here? How would you characterize me in the story? My own view: I'm the one trying to make everyone feel valuable, like their work is acceptable and good. I don't want them to think I am overly critical.